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The Changing Significance of African-Print Cloth and Fashion Following the introduction of new European-manufactured “African” resin-resist (“wax”) prints and roller-print imitations into Gold Coast markets in the 1890s, women’s special engagement with fashionable stylishness increasingly took the form of wearing African-print ntoma (cloth), or kaba -and- slit ensembles, which gained new status during Ghana’s independence era as women’s “noble national costume” (Beauchamp 1957

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